The English Herbalist

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The English Herbalist Organic Herbalist, Grower, Person & Animal Holistic Therapist, Lecturer, Column Writer & Int. Author @ Llewellyn Worldwide. Animist & Druid.
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Workshops, Distance & In-Person Training. I share old wisdom passed down through generations.

Thanks for messaging me to ask about my oxymel, sadly this won't be for sale. I do sell blackcurrent oxymel but it's in ...
14/08/2026

Thanks for messaging me to ask about my oxymel, sadly this won't be for sale. I do sell blackcurrent oxymel but it's in storage in Cornwall. No space for it whilst travelling!

www.theenglishherbalist.co.uk

E V E N I N G   B L A C K B E R R Y I N G   W I T H   B O B ❤️😻❤️
14/08/2026

E V E N I N G B L A C K B E R R Y I N G W I T H B O B

❤️😻❤️

A I   B U L L S H I TSO MANY pages on Facebook are run by AI modules. Idiots are believing these pages are full of anecd...
14/08/2026

A I B U L L S H I T

SO MANY pages on Facebook are run by AI modules. Idiots are believing these pages are full of anecdotes and prized information from wisdom filled little old ladies.

Sorry to burst your bubble.

Here's another two pages that are not genuine.

Same image, same info, same bu****it. Same believers of the bu****it?

www.theenglishherbalist.co.uk

14/08/2026

S E E T H E D I F F E R E N C E - A N
O X Y M E L I N T H E M A K I N G

We were recently gifted two bottles of handmade bramley apple cider vinegar from a Norfolk orchard.

I've made a winter immune boosting blackberry oxymel with one of the bottles.

The difference is that with the homemade ACV it 'brews' rather than merely extracting as shop bought does. Look at the bubling.

This will be a VERY potent medicine once it's finished.

www.theenglishherbalist.co.uk

S A V I N G   S E E D SThere is something quietly revolutionary about saving a seed.A seed is small enough to fit in the...
14/08/2026

S A V I N G S E E D S

There is something quietly revolutionary about saving a seed.

A seed is small enough to fit in the palm of a hand, yet it carries the possibility of an entire future. Inside it is the memory of a plant that came before: its resilience, its shape, its flavour, its relationship with soil, rain, insects, sunlight and season. When we collect seeds, we are not simply storing food for another year. We are preserving possibility.

To save seeds is to participate in the creation of new life.

We watch a plant grow, flower and set seed. We allow some of its harvest to remain, not because it has failed to feed us, but because it has another purpose. We gather those seeds carefully, dry them, label them and keep them safe. Then, when the season turns, we place them back into the earth. What was once held in our hands becomes roots, stems, leaves, flowers and fruit.

This is an ancient conversation between human beings and the living world, one I've enjoyed for many years.

Seed saving also carries another kind of power: sovereignty. A community that can grow, save and reproduce its own seed possesses a measure of independence. It is less dependent on distant suppliers, changing markets or systems that treat food as merely a commodity. Every seed saved from a successful harvest becomes a small reserve of future abundance.

Sovereignty does not mean standing apart from one another. It means having the knowledge and practical ability to sustain life where we are. It means knowing how to grow food, how to care for soil, how to preserve harvests, and how to pass those skills to the next generation.

A garden can therefore be more than a garden. It can be a living library.

Each saved seed is a page in that library, carrying knowledge forward through time. When we exchange seeds with neighbours, friends and communities, that knowledge becomes stronger rather than smaller. Diversity protects the future. If one variety struggles, another may thrive. If conditions change, the genetic richness we have preserved gives life more possibilities.

The act of saving seeds asks us to think beyond a single harvest and beyond a single lifetime.

We plant knowing that someone else may one day benefit from what we preserve today. We become part of a chain that stretches backward to the people who selected and saved seeds before us, and forward to people we may never meet.

That is why collecting seeds can feel like an act of hope.

We are saying that the future matters. We are saying that life should remain capable of renewing itself. We are saying that knowledge belongs in hands, gardens and communities—not only in institutions or corporations.

A seed is a promise: this can begin again.

And by saving it, we help make sure that it can.

www.theenglishherbalist.co.uk

I collected these, hollyhocks seeds, on Wednesday.

A I   H E R B  C O U R S E S   &  T H E   P R O B L EM   W I T H   M E M E - B A S E D  H E R B A L   A D V I C EThere i...
13/08/2026

A I H E R B C O U R S E S & T H E
P R O B L EM W I T H M E M E - B A S E D H E R B A L A D V I C E

There is a growing problem with “AI herbal courses” and the enormous amount of herbal advice circulating online: information is being presented as education, without the depth of training, clinical experience, professional accountability or critical judgement that genuine herbal practice requires.

An AI can gather information, summarise books and research papers, generate attractive course material and produce convincing explanations. But that does not make it a medical Herbalist. It does not have years of supervised study, practical training, clinical experience, professional responsibility or the ability to assess a real person sitting in front of it.

And that distinction matters.

Herbal medicine is not simply a collection of herbs and their supposed uses. Clinical herbal practice involves understanding the individual, taking an appropriate history, recognising contraindications, considering interactions with medicines, understanding dosage and preparation, identifying when someone needs referral to another healthcare professional, and knowing when the evidence does—or does not—support a particular intervention.

None of that can safely be reduced to a colourful infographic saying:

“Herb X is good for condition Y.”

The same applies to many herbal memes.

A meme may contain a tiny grain of truth, but without context it can become misleading or even dangerous. “Natural” does not automatically mean safe. A herb can have pharmacological effects. Herbs can interact with prescribed medicines. The appropriate preparation, dose, duration and route of administration can matter enormously. And the same herb may be appropriate for one person but entirely unsuitable for another.

The problem becomes greater when people begin selling AI-generated “courses” that give the impression of professional herbal education without being created or clinically supervised by properly trained Herbalists.

A certificate generated by a course platform is not the same thing as professional competence.

If you are considering studying herbal medicine, ask who designed the course. What formal training do they have? Are they professionally recognised? Do they have substantial clinical experience? Is there supervised practical or clinical training? How is safety taught? Are they insured to practice? Are they qualified to teach or lecture? Are contraindications, drug–herb interactions, diagnosis, referral and professional ethics properly covered? Is the information referenced to credible sources? I can answer 'yes' to each question above.

Most importantly, ask whether the person teaching you has actually spent years learning and practising herbal medicine—not merely weeks learning how to generate content with AI.

AI can be a useful tool, however, I'm not a fan. It can help organise information, explain concepts and point people towards questions worth investigating. But AI should assist qualified practitioners, not manufacture the appearance of qualification.

We should be able to distinguish between someone who has genuinely studied herbal medicine and someone who has learned how to prompt a chatbot.

The same critical thinking should be applied to the herbal content we share online.

Before reposting that meme, ask:

Who wrote it? What is the source? What evidence supports it? What important information has been left out? And would this advice still be appropriate for a real patient with real medical circumstances?

Herbal medicine deserves better than oversimplified memes and AI-generated authority.

It deserves properly trained practitioners, responsible education, sound evidence, clinical experience—and the humility to say “it depends” when the answer genuinely does.

www.theenglishherbalist.co.uk

C O P P E R   E C L I P S EWhen the Sun disappears, even briefly, the body seems to remember something ancient.Light thi...
12/08/2026

C O P P E R E C L I P S E

When the Sun disappears, even briefly, the body seems to remember something ancient.

Light thins. Shadows sharpen. The ordinary rhythm of the day falters, and for a moment we stand beneath a sky that feels ceremonial. The eclipse is not simply an absence of sunlight, but a meeting of forces: radiance and darkness, exposure and concealment, the visible and the hidden.

Imagine holding a piece of copper in that moment.

Its warm, reddish surface catches the strange eclipse-light. Copper has long carried an aura of conductivity—of pathways, currents, circulation. In a symbolic sense, I let it become an instrument of attention: a reminder to draw the atmosphere of the eclipse inward, not as a literal electrical current, but as sensation, breath and awareness.

I placed the copper gently against my palm.

Breathing slowly.

Feeling its weight. Its temperature. Its solidity.

Above me, the Sun was being covered; within me, something becomes uncovered. The eclipse becomes an invitation to turn inward—to gather scattered attention and let it settle through my body. Imagine the copper as a thread connecting sky and skin, carrying not solar radiation into the flesh, but your own awareness through the landscape of the body.

With each breath, I allowed the darkness to move downward: from my eyes, through my face and throat, into my chest, stomach, hips and feet. Then imagining the returning light rising through the same path.

Copper became the symbol of the passage.

Sunlight became the symbol of consciousness.

My body became the meeting place.

And when the Sun emerged again, I let the experience remain—not as a substance transferred from the heavens, but as a memory held in muscle, breath and attention.

The eclipse passed.

The copper remained warm in my hand.

And for a moment, I remembered that looking upward can also be a way of looking within.

www.theenglishherbalist.co.uk

Excuse the poor quality image. Taken by a tablet.

U P   E A R L Y   -   A G A I NThere we were, deep in the much-needed luxury of slumber after working the plot yesterday...
12/08/2026

U P E A R L Y - A G A I N

There we were, deep in the much-needed luxury of slumber after working the plot yesterday. I'd finally surrendered to sleep, when the dawn chorus took an unexpected turn.

First came Tatty Black, our familiar magpie, apparently deciding that the garden needed a little entertainment. Not content with the usual squawks and clacky chatter, Tatty launched into what could only be described as a full-blown foxtrot — wings fluttering, feet prancing, and not a care for the sleeping people beneath her feet.

And then, as if summoned by nature's music, came Filbert.

Filbert, the cheekiest of squirrels, is never one to miss an opportunity. He joined in with a jig, bouncing and darting about with all the enthusiasm of a creature who has absolutely no respect for lie-ins.

But they weren't finished.

Together, Tatty Black and Filbert progressed into what seemed suspiciously like a little Irish reel, racing, twirling and generally making such a commotion that sleep became an increasingly distant memory.

So, at an hour when any sensible creature — human or otherwise — should still be tucked up warm and dreaming, I found myself wide awake.

Up early. Again!

I blame the performers.

Tatty Black and Filbert, take a bow.

And please… could we have the matinee a little later tomorrow?

www.theenglishherbalist.co.uk

T H E   W O N D E R   O F   C H I C K E N SRecently, I was asked if I'd take care of some hens, only for one night, but ...
11/08/2026

T H E W O N D E R O F
C H I C K E N S

Recently, I was asked if I'd take care of some hens, only for one night, but I leapt at the chance. We used to keep rare and endangered hens in our beautiful cottage garden for over twelve years.

I have alway thought there is something quietly astonishing about a chicken.

At first glance, a chicken seems almost comically ordinary: two legs, a pair of wings, a bright little comb, and a habit of wandering about as though it has somewhere important to be. Yet spend a little time watching one, and the ordinary begins to feel extraordinary.

Chickens are creatures of remarkable character. They recognise one another, form friendships and hierarchies, communicate with an impressive variety of sounds, and can learn to associate people with food, safety, and affection. A flock is not simply a collection of birds; it is a small society, full of relationships, rivalries, routines, and rituals.

Then there is the egg: a beautiful piece of biological engineering produced by a creature that spends much of its day scratching through the earth. From soil and sunlight, insects and seeds, a chicken somehow becomes capable of making breakfast.

Perhaps the greatest wonder of chickens is that they remind us to look more closely. We often search for marvels in distant galaxies, deep oceans, and towering mountains, while overlooking the small dramas unfolding in our gardens. A hen fluffing her feathers in the afternoon sun, a chick following its mother, or a cockerel announcing the morning can be just as worthy of our attention.

Chickens are funny, industrious, social, ancient, and unexpectedly beautiful. They scratch, cluck, forage, squabble, explore, and sleep. They live close to us, yet retain a little world of their own.

And perhaps that is their particular gift: chickens make the everyday feel wondrous.

DO YOU KEEP HENS?

Here's Fleur, one our previous hens, a Swedish Flower enjoying our garden. These are on the endangered list.

T H E   L I T T L E   V I N T A G E   L O V E R   F A I RSix years.Six years since we last wandered through the Little V...
09/08/2026

T H E L I T T L E V I N T A G E
L O V E R F A I R

Six years.

Six years since we last wandered through the Little Vintage Lover Fair at Heydon, with its old things, quiet treasures and the soft murmur of people searching for pieces of another time.

Six years ago, life was very different.

There was a solidity to it then, something firm and resolute, a life that seemed to stand in one place. And then, as life does, it moved. Seasons passed, chapters closed, new ones began, and somehow six years slipped quietly behind us.

And now we were back, today under the blazing sun in East Anglia.

Walking once more among the worn wood, faded linen, old china and things that had already lived a life before finding their way into ours.

There were lovely people to meet — friends we had known for years, though never before had our paths crossed in the physical world. Names and voices becoming faces, conversations becoming memories. There is something rather magical about finally meeting someone you feel you have known for a long time.

And then there were the treasures.

An old case came home with us, its surface softened by years of hands and journeys. A case that has travelled through numerous cities, carrying with it the invisible traces of all those places — railway stations, bedrooms, unfamiliar streets, departures and returns. It has a history we will never fully know, and perhaps that is part of its beauty.

Old books on tending the land found their way into my hands, too. Books written for those who understood the patience of soil, the turning of seasons and the necessity of watching and waiting. They felt strangely at home with me as a The English Herbalist, because tending the land is something I still do. The words may have been written decades ago, but the earth has never changed its language.

Then came the playing cards.

1930s cards, softened at the edges and worn by countless hands. I could almost see them being dealt across a parlour table, evening after evening. Perhaps there was laughter. Perhaps there were arguments over the rules. Perhaps someone sat quietly beside the fire, waiting for the next hand.

Those cards have known nights we can only imagine, but will soon know days of vintage reading and fortune telling by www.facebook.com/drjackdaw

They have been held by people whose names have disappeared into time, and yet the evidence of their hands remains in the worn corners and softened faces.

There were pieces of vintage lace, too.

Fine, fragile fragments that once adorned the collar of someone living below stairs.

I couldn't help but wonder about her.

Who was she?

What did she see from the windows? What were her mornings like? How many times did she fasten that collar before beginning another day of service, moving quietly through rooms that belonged to someone else?

Such a delicate thing, carrying the weight of an entire life, now in my little box.

And then there was the little piece of pottery and wood kitchen furniture — humble, useful, beautifully ordinary, damaged at the corners. The sort of thing that might once have stood in a scullery beside a great butler's sink.

I could picture it there.

The stone floor beneath it. The smell of bread and coal smoke. The clatter of pans. Water running into the deep sink.

And perhaps, at the end of a long day, a weary farmer standing there, sleeves rolled back, washing the earth from his hands after hours in the fields. I have no house to put this in, but I fell deeply in love with its aura.

Perhaps that is what draws me to old things.

They are not merely objects.

They are quiet witnesses.

They have stood in kitchens and parlours, travelled in cases, been held across tables, worn against collars, carried through working days and long journeys. They have known laughter, tiredness, love, routine and loss.

And although we will never know all their stories, we can feel the traces of them.

Six years ago, as different people, living a different life we visited Heydon.

Six years later, we returned — carrying everything those years had brought with them.

And somehow, amongst all these remnants of lives lived before ours, it felt less like looking backwards and more like being reminded that nothing is ever truly lost.

Things endure.

Stories linger.

Hands leave their marks.

And sometimes, if we are fortunate, an old case, a book, a pack of cards, a scrap of lace or a little piece of kitchen furniture finds its way into our hands and allows us, for a fleeting moment, to stand beside those who came before us.

Six years on, Heydon felt a little like coming home to a past that had been quietly waiting for us, maybe the future will bring a little home, some permanence, some where.

www.theenglishherbalist.co.uk

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