Leonoor Ruigrok contemporary artist

Leonoor Ruigrok contemporary artist I do not seek perfection. I observe, feel and create, with my energy and the signature of what I perceive. In a constant state of motion.

With a profound connection with nature.

WIND, WEATHER, COLOURSome landscapes refuse to sit still.Wind across the lake, changing weather, mountains shifting in a...
14/08/2026

WIND, WEATHER, COLOUR

Some landscapes refuse to sit still.

Wind across the lake, changing weather, mountains shifting in and out of view,and colour that seems different every time I look.

These small Lago d’Orta works are less about capturing a precise view and more about what stayed with me afterwards: movement, light, layers and a little bit of chaos.

Acrylic on paper | Lago d’Orta Studies | 2026

Some of the original works are available.
Interested in one of them? Send me a DM or discover more at www.leonoorruigrok.nl

SUNDAY MOODA little wild, a little dreamy, and in no particular hurry.Soft mountains in the distance, tangled colour in ...
13/08/2026

SUNDAY MOOD

A little wild, a little dreamy, and in no particular hurry.

Soft mountains in the distance, tangled colour in front — one of those Lago d’Orta moments where everything seems to move and settle at the same time.

Acrylic on paper | 2026 - H: 21 cm x B: 29,7 cm
Part of the Lago d’Orta Studies

Interested in this work? Send me a DM.

For the dreamers. By the lake, at the edge of the valley. DREAMY LAKE – PAINTINGH: 21 cm x B: 29,7 cm : 30o grams paperA...
11/08/2026

For the dreamers.
By the lake, at the edge of the valley.
DREAMY LAKE – PAINTING

H: 21 cm x B: 29,7 cm : 30o grams paper

Acrylic painting on paper | 2026 | Part of the Lago d’Orta studies by Leonoor Ruigrok | The artwork is shipped with a certificate of authenticity and carefully packaged with the utmost care to ensure safe delivery.

More feeling needs to go in.For me, that usually means: not trying to make it too neat.I want to keep seeing where I pus...
24/07/2026

More feeling needs to go in.

For me, that usually means: not trying to make it too neat.

I want to keep seeing where I pushed, touched and brushed. Where the paint became thicker, where something clashed, where a colour still managed to work its way through.

This is a detail from a expressive work. "Shelter" - Oil painting on canvas.

No panic. The canvas can handle this.Rolling up an oil painting on canvas? Unstretched canvas?Yes, that is possible.Thes...
22/07/2026

No panic. The canvas can handle this.

Rolling up an oil painting on canvas? Unstretched canvas?
Yes, that is possible.

These painted canvases are ready to be archived and photographed.

I keep some works unstretched. Not out of convenience, but because the canvas then keeps something of its own movement. It does not always have to be stretched tight, straightened out, or fixed into place immediately.

And honestly: I also find it interesting when a work is not stretched. The lightness of loose canvas, almost like a wall hanging, gives the work a different presence. Less fixed object. More skin, more movement.

Of course, this has to be done carefully. The oil paint must be completely dry before a work is rolled. And when I roll a canvas, I always roll it with the painted side facing out, to prevent wrinkles or cracks in the paint layer.

And no, this does not mean I no longer stretch or frame works. A good collaboration with a framer can add a lot conceptually. Frame and work can strengthen each other enormously.

Studio archive / works on canvas.

Firestarter in Dreamland.A fictional landscape with a lot going on. And what is actually going on there?A dark figure, a...
20/07/2026

Firestarter in Dreamland.

A fictional landscape with a lot going on. And what is actually going on there?

A dark figure, a small glowing house-like form, or shelter, shifting ground, and a sky that does not exactly behave.

This work comes from the studio archive and can be viewed during a studio visit in Voorhout.

Firestarter in Dreamland
Oil paint on canvas
70 x 100 x 2 cm
2025

Available from my studio or online.
Visit the link in my bio or email me for more information: [email protected]

Small material research on the table.This kind of material research runs alongside my paintings. The same questions, but...
17/07/2026

Small material research on the table.

This kind of material research runs alongside my paintings. The same questions, but in another form: what protects, what closes off, what remains open?
I write more about this on my Process Notes page.

Studio process / material research.

Sometimes seeing the work is better than scrolling past it.I’m not sure yet where it will hang, by the way. That is stil...
15/07/2026

Sometimes seeing the work is better than scrolling past it.
I’m not sure yet where it will hang, by the way. That is still under negotiation with the wall.

Some works need to be seen in real life.
Not because online does nothing, but because size, surface, material and space only really start to matter then.

From time to time, it is possible to book a studio visit in Voorhout.

See the link in bio: Studio Visit
Or email directly: [email protected]

Just this today: a detail of Shelter.Thick layers, scratched lines, and one of the symbols that keeps returning in my wo...
13/07/2026

Just this today: a detail of Shelter.

Thick layers, scratched lines, and one of the symbols that keeps returning in my work lately.

Oil paint on canvas.
Available from my studio or online.

Visit the link in my bio or email me for more information: [email protected]
--------***-----------
(I couldn’t resist after all... I added a full view of the painting too.)

A lot is happening here in this fictional landscape.Title:FirestarterOil paint on canvas. x .. cmThis painting comes fro...
10/07/2026

A lot is happening here in this fictional landscape.

Title:Firestarter
Oil paint on canvas. x .. cm

This painting comes from the studio archive and can be viewed during a studio visit.

Appointments are available from time to time at my studio in Voorhout.

See the link in bio: Studio Visit
Or email directly: [email protected]

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Voorhout

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