形藝祭 Moving Arts。Hong Kong

形藝祭 Moving Arts。Hong Kong We hope that performers can revisit the essence of “form” and “dynamics” with the audience in each performance.

形藝祭成立於2010年11月,207年申請成為合法社團註册機構,以沒有語言主導的世界;沒有華麗的包裝;沒有派系或形式分野的形體藝術空間,利用最基本、最直接、最真實的身體去演繹或表達自己想要說的給任何階層的觀眾所賞和分享為宗旨。形藝祭希望表演者都能籍著每次演出一起跟觀眾重新檢拾「形」 與「動」的真諦,並鼓勵表演者能與不同媒體的藝術家及創作人發現或碰撞更多的可能性和可塑性。

形藝祭發起之先是為建立香港首個傷健共融的形體藝術節「形藝祭2010」,該次一連四日的公開演出,更號召了本土多個資深及新進的默劇、面具、即興舞蹈、形體、舞踏等表演者作個人創作。

Established in November 2010, Moving Arts。Hong Kong aim to express ideas to audience of all backgrounds with the most basic

, direct and honest bodies in a non-language-driven world / non-demarcated physical art. Moving Arts。Hong Kong first happened because of a Movement Festival at On and On Theatre,Cattle Deport,To Kwa Wan which can first have both disable/ handicap artists and performers with a sound body and mind.And even we cannot have very good feed back in box office at final that time in 2010,but we at lease provided a platform or chance for all talented local or Asian artists who are good in mask performance,mime,improvisation dance,physical theatre,Butoh…etc without any boundaries. We also encourage performers to explore more on the possibilities of movement in the collaborations with different media artists.Recent productions include Hong Kong's first Asian Butoh Collaborative performance with young or experienced Butoh dancers from Malaysia , Korea, Japan, New York, Mainland China in August 2012 ; in may 2012; and a cross media jamming with live music,poems, dance,video performance with famous and active impro musicians Wilson Tsang,Nelson Hiu,Les Fong,Eric Wong,Bjorn Ho+ Hong Kong well known Photographer, Roy Lee+Lighting designer,Amy Chan+ Dancers ,Vinci Mok、Faye Ko at a live house Hidden Agenda for Hong Kong People’s Fringe Festival 2012.

Don't miss almost the world first round table discussion for Asian Butoh today.  Reserve your spots here: for online or ...
06/02/2026

Don't miss almost the world first round table discussion for Asian Butoh today.

Reserve your spots here: for online or on site as your last chance:
linktr.ee/asiabutohgathering

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今午3pm     #重  #西九自由空間大盒   #最後一場。近來好少  #真心推介 大家入官方場地看舞。但CCDC今次的三個國際级新銳或大師级邀约编舞作品,光是看身體的流動及呼吸已好吸引,別說這一定是「舞動」的基本,三個作品中我看到舞者...
14/12/2025

今午3pm #重 #西九自由空間大盒 #最後一場。近來好少 #真心推介 大家入官方場地看舞。但CCDC今次的三個國際级新銳或大師级邀约编舞作品,光是看身體的流動及呼吸已好吸引,別說這一定是「舞動」的基本,三個作品中我看到舞者在台上久違了的存在感,沒有造作,不光是數拍,也不是那種一定能以纸筆記錄下來的舞譜複製。作為也同樣喜歡以身寫畫的創作者,我一下子就被洪綵希的張力吸引著,我和旁邊坐著的兩位舞者觀眾都禁不住跟台上那在不斷變形的群體一起「型」動。William Forsythe的,男舞者們的身體遊戲更是非常誠實,你以為作品沒有配樂嗎?音樂節奏本來就在於舞者彼此的身體聆聽或交流。則是大部分女性觀眾都該會喜歡的作品,但月下的流動卻非只留於moon side 的感性或温柔,燈影照著列陣走前的女性其實各具性格,也有她們猙獰、野性、硬朗的一面。聞說尚餘少量門票,舞蹈表演各個周末都在搶客,但要選擇去看一個演出,我從不喜歡純粹只為撐場或撐朋友,能夠讓自己或同業也可在創作上啟動思考及討論才是一些更有意思的藝術/編作「動」力。

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