06/03/2026
Maya always dreamed of being a dancer, but at 11 years old, her life changed in an instant. A stroke forced her to relearn how to walk, speak, and navigate the world through a new lens. She turned to the only thing that called to her just as deeply as dance: art.
What started as a necessary pivot became an intentional form of expression and healing.
Growing up with sickle cell, Maya often felt like an outsider. She struggled to feel seen while navigating a chronic illness that many people didn’t understand, all while being naturally shy. So, she created what she couldn’t find.
“A lot of my pieces are about navigating life with sickle cell. I want people to understand what isn’t always visible.”
Living with sickle cell means navigating an “invisible illness,” one that is often dismissed or misunderstood. That reality appears vividly in her work. One of her pieces features roses tipped with darts aimed at the body, a metaphor for the ebb and flow of pain that isn’t always visible to others, and what it means to manage that pain in public. It reflects the constant, shifting nature of living with sickle cell.
More than anything, she wants young Black artists and those living with chronic illnesses to see themselves reflected in her work. Her piece, Sacred Rest, centers the importance of rest, something often overlooked in both art and everyday life. “Rest is incredibly important, especially living with a chronic illness.” Now exhibiting in her first museum at the Northwest African American Museum, Maya is stepping into a new phase in her journey. After a period where things felt slow, she’s beginning to see renewed momentum.
“My art has taught me I’m incredibly resilient, that I’m powerful.”
Maya refuses to be confined. Her work reflects that mindset, blending Afrofuturism, identity, and symbolism into a visual language that is entirely her own. As she looks ahead, she remains intentional about growth.
