InDepth-Therapy

InDepth-Therapy Jungian based Depth Psychotherapist, Functional, and Sexual and Reproductive Health Practitioner

In the ancient Egyptian Duat: During the seventh hour, which is the darkest hour of the night, the Iba-dancers appear wi...
05/21/2026

In the ancient Egyptian Duat: During the seventh hour, which is the darkest hour of the night, the Iba-dancers appear with offerings and provisions (See Image 20). They celebrate those who have been born through fiery passage, celebrate the restoration and power of growth, decay, desire, feeling, and sexuality, and celebrate the reconciliation of opposites. Such as the people of the parched red desert land and the people of the black and greening land join to stabilize the land of Egypt. WGL p. 116

World's Geography of Love 👉 https://geraldinematusauthor.com

In the ancient Egyptian Duat: THE SEVENTH HOUR UNFOLDS IN THE LIVER OF NUT AND IS SPECIFICALLY ASSOCIATED WITH THE DEFEA...
05/20/2026

In the ancient Egyptian Duat: THE SEVENTH HOUR UNFOLDS IN THE LIVER OF NUT AND IS SPECIFICALLY ASSOCIATED WITH THE DEFEAT OF THE ENEMIES OF RE-OSIRIS. This makes sense symbolically since the liver is primarily responsible for detoxification. APOPHIS is the Sungod’s most dangerous and destructive enemy, whose defeat can only be mediated by Isis and Mehen--symbols of--the power and helpfulness of rightly directed instinctual knowledge, which is analogous to the liver’s ability to regenerate itself. APOPHIS IS A SYMBOL OF INSTINCTUAL REACTIONS unmediated by conscious reflection, social law, or mindfulness about the soul’s concern. In alchemy, the liver was synonymous with the crucible or alembic in which the experiment unfolded. Paradoxically, that which will be created arises from the crucible, and that which must be destroyed is burnt in the crucible. Images of the crucible, cocoon, or mummy symbolically belong to the seventh, eighth, and ninth hours. WGL pp. 113-114

World's Geography of Love 👉 https://geraldinematusauthor.com

Guggenbuhl-Craig identifies the Invalid Archetype as that which rules illness and how we respond to illness. Our ego exp...
05/15/2026

Guggenbuhl-Craig identifies the Invalid Archetype as that which rules illness and how we respond to illness. Our ego experiences illness as a defeat. Illness forces us to confront our vulnerability, mortality, limitations, and dependencies. Through illness, we can learn to restructure what really matters in our lives, learn how to be more interdependent, accept help, become less afraid of not being in control, learn greater compassion for those who suffer around us.

World's Geography of Love 👉 https://geraldinematusauthor.com

Belonging is a fundamental need, as essential as food, water, and shelter. We first belong to our family. But family exp...
05/11/2026

Belonging is a fundamental need, as essential as food, water, and shelter. We first belong to our family. But family expectations of what we should be like, can imprison us from out authentic self, from our soul. Can we be honest? If not, we may need find new groups to belong to; look for others who make us feel seen, accepted, and supported our authentic self.

World's Geography of Love 👉 https://geraldinematusauthor.com

It’s not just about eating; it’s about tactical maneuvering. Every meal is a battle against temptation, shame, or fear. ...
05/09/2026

It’s not just about eating; it’s about tactical maneuvering. Every meal is a battle against temptation, shame, or fear. Slowly, carefully, and with love, navigate around the landmines of our psyche, and find small ways to turn that war zone into sacred communion. Communion and nourishment, we are worthy. It may be as simple as lighting a candle while we eat.

World's Geography of Love 👉 https://geraldinematusauthor.com

Ears carved on the back wall of the Temple of Kom Ombo represent the listening ears of the gods. When we are listened to...
05/06/2026

Ears carved on the back wall of the Temple of Kom Ombo represent the listening ears of the gods. When we are listened to by a compassionate heart we heal. See also Taylor Caldwell's book The Listener.

World's Geography of Love 👉 https://geraldinematusauthor.com

The Cow’s Faerie ChildShe never spoke,Just stood by the window,Twisting the ruffled hem of her dressBetween chubby four-...
05/01/2026

The Cow’s Faerie Child

She never spoke,
Just stood by the window,
Twisting the ruffled hem of her dress
Between chubby four-year-old fingers.

I witnessed the mystery of her
As together we watched the cows
Lumber across the pasture, suspended on spindly legs.
Their huge-bellied bodies swayed,
Pendulum like, as they struggled
against the muskeg's downward pull,
toward the relief of the milking hour.

She was as guileless as the dust motes
In the sunbeam streaming through the window,
I saw her on the sunbeam rising to heaven
away from the dangerous cold of a mother
who sold her to the father for some peace.

When neighbors asked, why she never spoke,
I said she is the cow’s faerie child,
because they know the mysteries of mothers and milk.

World's Geography of Love 👉 https://geraldinematusauthor.com

Celestial Milk, spills from Hathor's girdle, circling the span heaven, becoming constellations in my belly, the body of ...
04/27/2026

Celestial Milk, spills from Hathor's girdle, circling the span heaven, becoming constellations in my belly, the body of my fate, scribing my mythology. G. Matus

World's Geography of Love 👉 https://geraldinematusauthor.com

Ah the Breast, the Divine Breast of Cosmic OnenessDeathless are those who have fed at the breast of the Mother of the Un...
04/25/2026

Ah the Breast, the Divine Breast of Cosmic Oneness

Deathless are those who have fed at the breast of the Mother of the Universe
Ta***ic saying (Walker, 1988. p. 303)

Over thousands of years the Divine Mother archetype has developed within the human psyche. This archetype has a strong a strong physical and symbolic relationship to the breast. She is represented variously, for example, as the Ancient Egyptian sky/moon goddess known as Nut, Isis, Mut, and others. The oval or oblong cartouche within which are written a number of hieroglyphs identifying her typically includes the hieroglyph mena, which represents the ‘breast’ or ‘moon’. Mena symbolizes the divine feminine connection to the cosmic waters of life thought by Ancient Egyptians to originate in the Milky Way.

Neumann contends that an infant’s first relationship to the breast is archetypal. The baby experiences the breast as the Great Mother itself, a divine source of life, comfort, and unity. At this stage, the infant does not distinguish the woman from the breast. Losing access to it feels like losing connection to life itself, which makes the bond urgent and essential for survival.

In adulthood, this early connection doesn’t disappear, it just changes form. We seek people, passions, and beauty that echo that original sense of comfort. If that early bond was lacking, a deep, persistent hunger can follow us. We chase substitutes until we recognize what we’re really seeking, a return to that original source, where we can finally feel held and at peace.

References: 1) Neumann, E. (1974). The Great Mother: An analysis of the archetype (R. Manheim, Trans. 2nd ed.). Princeton, NJ: Princeton University Press. 2) Walker, B. G. (1988). The woman's dictionary of symbols and sacred objects. New York: HarperCollins.

World's Geography of Love 👉 https://geraldinematusauthor.com

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