Yoga Shala Pinhais

Yoga Shala Pinhais Certified Iyengar Yoga teacher

08/08/2026

“Teaching yoga without philosophy would be like teaching swimming classes without water”
~Prashant Iyengar

July 2026 edition

In our “Tuesdays with Prashant” quote series we will be highlighting Prashant Iyengar’s wisdom, insights and teachings on classical yoga. ✨

29/06/2026

B.K.S. Iyengar, in Light on Pranayama, describes Nadi Shodhana as "complex and refined...It is the ultimate in sensitive self-observation and control. When refined to its subtlest level it takes one to the innermost self”

It is not a practice to rush. It is a practice that teaches us to listen.

The first time I practised Nadi Shodhana, I was genuinely astounded. Within a short time my mind became quiet in a way I had never known before, as if I had stepped through a doorway into a different inner landscape. I remember feeling calm, clear and deeply settled.

That is the quiet power of Nadi Shodhana pranayama. By gently guiding the breath through alternate nostrils with the fingers, the breath, nervous system and attention begin to follow one steady rhythm.

In Iyengar yoga, Nadi Shodhana is taught step by step, usually after the student has gained experience in Ujjayi and Viloma, so the breath has already begun to develop steadiness and sensitivity.

When I first began, I tried far too hard and pressed the nostril too firmly. The lesson was to soften: a lighter touch, a quieter breath, less force, more listening.

A balance of two currents
In the yogic tradition, the right nostril is associated with Pingala, a heating and stimulating current. The left nostril is associated with Ida, a cooling and quietening current. Nadi Shodhana helps bring these two currents into balance, drawing awareness towards Sushumna, the central channel associated with clarity and meditation.
As the breath becomes even, the face softens, the senses turn inward, and the mind begins to settle.

How to begin
Sit tall with the chest lifted. Fold the index and middle fingers of the right hand into the palm.
Fold thumb, ring finger and little finger in , joining middle of the thumb with middle of ring & little finger
Rest the thumb beside the right nostril, and the ring and little fingers beside the left nostril just under the nasal septum with the wrist centrally placed.
Keep the throat soft, the chest open and the face relaxed.
Stage 1 Begin by narrowing both nostrils slightly and breathing slowly through both nostrils. Let the breath be full, quiet and unforced
Repeat for 5 mins. Lie then in Savasana.
Stage 2 Begin to breath in and out through alternating nostrils:
Close the left nostril and exhale through the right.
Inhale through the right.
Close the right nostril and pause briefly.
Exhale through the left.
Inhale through the left.
Pause briefly.
Exhale through the right.
This completes one round.
Begin with about five rounds, then return to normal breathing. Over time, the number of rounds may gradually increase. End with an inhalation through the right nostril
Keep the touch of the fingers light. Do not strain or force the breath. Finish quietly and allow yourself to rest in Savasana.

Nadi Shodhana is best learnt slowly and methodically with a qualified Iyengar yoga teacher, especially as the practice becomes more refined.

Start with the breath.
Let the mind follow the breath.
And allow the breath to lead you inward.

Nadi Shodhana may be practised in the early morning and at night. At night, practice gently and without strain. At night it should be calming, not forceful. Its quiet, alternate flow through the nostrils can help balance Ida and Pingala, steady the breath, and prepare the mind for sleep.

05/06/2026

The pose looks like rest.
That is why people underestimate it.

Viparita Karani — Legs-Up-the-Wall — is one of the simplest inversions to enter.

No balancing.
No pushing.
No performance.

You come close to the wall, lie down, and let the legs rise.
The wall supports the legs.
The floor supports the back.
The breath begins to soften.

But in Iyengar Yoga, Viparita Karani is not merely “resting with the legs up.”

It is a quiet introduction to the effect of inversion — when the body is supported enough for the eyes, throat, chest, breath, and mind to settle.

In the Senior Citizens Syllabus developed by Geetaji and used at RIMYI, inversions are taught gradually and systematically. Viparita Karani appears there in a supported form, with bent legs on a chair or box.

That tells us something important.
Inversion is not only for the strong, flexible, or advanced student.
Sometimes the most intelligent practice is not the one where you do more.
It is the one where the body stops struggling — and begins to receive.

For beginners:
Start simply. Legs up the wall. No bolster. Five minutes. Quiet breathing.

For experienced students:
Stay longer. Observe the eyes, throat, chest, breath, and mind.

The question is not:
“Am I doing enough?”

The question is:
“What changes when I stop doing so much?”

Practice under proper guidance, especially if you have medical concerns related to blood pressure, the neck, eyes, circulation, or recovery from illness or injury.

Have you practiced Viparita Karani before?

💬 Comment LEGS UP if this is the pose your body needs today.

05/06/2026
25/05/2026
05/05/2026
12/04/2026
04/04/2026

Intensity is often misunderstood in yoga.
Many practitioners believe that going deeper means pushing harder.

But as B.K.S. Iyengar reminds us:
✨“The intensity of the stretch should increase and rejuvenate from moment to moment.”

This changes everything.

Intensity is not about force.
It is about sustained awareness.

If a pose leaves you fatigued or mentally dull,
the quality of effort needs to be questioned.

A well-practiced pose should feel more alive with each moment.
That is the intelligence of practice.

👉 Comment INTENSITY if this resonates
If you are exploring this level of work,
you are welcome to practice with us and experience it directly in class.

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