08/01/2026
Thanks to Whidbey Children's Theater, who tagged me here when my new door signs were delivered erroneously to their building. 
It's been a full year now since I was dislocated from my beloved studio of over a decade by my landlord Goosefoot Community Fund to make room for their own offices....it was a challenging departure. 
How does one find a non-traditional psychotherapy space that can support movement and the expressive arts while fostering the beauty required for bodysoul healing? I looked at a lot of potential spaces and none were in the least bit suitable. 
Feeling so discouraged and nearly at the end of my hope, I walked through the South Whidbey Community Center (SWCC) with Gail Lavassar to look at an empty classroom for rent. It was large enough for movement and had a lot of space for art, but the floor was covered by decades-old carpet and, as anyone who has done movement work with me knows, we are on the floor often laying with our faces pressed into it. My old studio, the one I had to give up, had a beautiful cork floor installed over concrete, and it was warm and inviting to lay on. How could I ever replace that? 
As Gail and I walked the classroom together, suddenly came the sound that returned hope to my heart: a tiny creaking sound from underneath the carpet. I knew that sound well from decades of dancing on hardwood floors--signaling there was indeed a wood floor under that old carpet, probably close to 100 years old!! If I could take up the carpet and refinish the floor, this classroom could make a proper studio!! Gail thought it could be possible. SWCC said yes and welcomed me with open arms ... and I set out upon a new journey. 
Three months (and $20,000) later, voila!--we had created a beautiful new studio with space for expressive art therapy, Jungian psychotherapy, women's frame drum classes, Authentic Movement groups, sandplay therapy, Touch Drawing, Soul Collage, whirling classes, Laban/Bartenieff work, and more.
The floor?  It is now a beautiful, soft, warm, 90 year-old expertly refinished Douglas Fir (thank you Dixon Hardwoods) and there has been many a bare foot and many a soft cheek laid upon it already. 
Hats off to my skillful, creative contractors, Brian McCleary and Cooper Gillen, and many, many others.