07/02/2026
Poughkeepsie’s Artist: Thomas Weeks Barrett Jr.
By Shannon Butler
The Poughkeepsie Rural Cemetery is home to some very interesting people, including several artists. Perhaps the most famous of these is our own hometown boy, Thomas Barrett. Not only is he well known here, but his work is in the collections of several museums. Though he never found fame in his own time, much to his dismay, today we consider him one of the reasons why a strong arts community not only exists here but still thrives.
Thomas Weeks Barrett Jr. was born here on September 12, 1902, into a family of means. They lived comfortably at #55 Noxon Street, where they had been for quite some time. His father, Thomas Sr., was a Poughkeepsie native who worked as a banker. First at the Poughkeepsie National Bank, he then served as the treasurer of the Poughkeepsie Trust Company and later became its Vice President in 1941. Tom Sr. was a man who clearly worked to improve his city, something Thomas Jr. would try to do as well, and he served on several committees, including the one that saved the Glebe House on Main Street and the committee that built St. Francis Hospital as well as the Nurses’ Home.
His mother, Katherine Stoughtenburgh, was a member of the old and prominent Dutch family who first settled Hyde Park, the Stoughtenburghs. She was born in Hyde Park but spent much of her young life down in Washington DC where her father served as the Superintendent of the Washington asylum. Which was no doubt a fascinating experience for her growing up. His mother was involved in the local chapter of the D.A.R. and their church. His sister, Elizabeth, also lived in the home on Noxon Street and worked in banking and helped raise money for various organizations and things like the Victory Calendars. She would prove to be an artist as well.
Thomas went to school at Poughkeepsie High School but never graduated. Health problems were said to be the reason for his lack of attendance and his eventual total abandonment of school. Based on his diary entries and letters to friends and family, he does appear to have been sick often with headaches and the flu. He attended the School of the Museum of Fine Arts in Boston. There, he studied decorative design under Henry Hunt Clark. On his summer breaks, he would come home to Poughkeepsie and work where he could, including painting signs for the Dutch reformed church in 1920, and in his personal diary he wrote, “I wish they’d hurry up and pay me for those 6 signs I made for the Dutch reformed church 3 weeks ago. Wish I was rich and then I wouldn’t have to worry -Hot dog! If I were rich I’d have some fun. I wouldn’t pinch a dollar so tight that I’d make the eagle scream the way I do now - Hot dog, again!” He had discovered that art was something he could do well and graduated from college in 1926.
After graduation, he moved down to New York City, where he worked as a commercial artist making playing cards for Macy’s. Based on his personal diaries, he painted, drank (despite it being Prohibition), and partied. He soon found his way back to Poughkeepsie just before the stock market crash in 1929. He stayed busy in Poughkeepsie with work in woodcuts, greeting cards, bookplates, and posters. In 1934, he organized the first fine art exhibit in Poughkeepsie at the Luckey-Platt store on Main Street. Another local artist, Lee Miller, who had made a name for herself in the world of fashion and photography, sent some of her works to display as well. The show was a great success and inspired Barrett along with other local artists, to create the Dutchess County Arts Association the following year.
He scribbled down some thoughts about his life in 1932, which read “Painting is my work for two reasons – that it suits my physical temperament, and that it affords me more genuine pleasure than anything else excluding factors of appetite.” He went on to say, “I like to work when I have real reason to – when I am moved to work. I like to eat and drink, I like comradeship, of men and women, I like modern music – Debussy, Gershwin, some jazz orchestras such as Cab Callaway's’. The rhythmic weight of Gershwin and good modern jazz are as satisfying to me as good German food.”
Thomas had this great desire to get Poughkeepsie into the arts movement and to improve the city’s cultural identity. There were times when he seemed to love Poughkeepsie for its potential but hated the leadership for its lack of movement. He scribbled this note on a piece of paper in 1943, “In Poughkeepsie, there is no civil pride. That means respect - and a city is made up of people - in this case people void of self-respect. They are run by a political machine malignant at the core as the people behind it are out for money and to the exclusion of ideals, considerations of future growth, and general humanitarianism. Minor dollar dictators, milking the public - which remains forever docile and without benefit except those promised and in rare instances, grudgingly given, minor dictators slow about sewers, quick about pinball machines.” His paintings are mostly of Poughkeepsie, and in many cases, they depict either a depression era or a wartime vibe.
He also believed that his work would be his early demise, as he wrote in his personal papers. And he wasn’t wrong. After a mixture of overworking himself and the overconsumption of alcohol, he became ill on Tuesday, November 18th, 1947, and was sent to St. Francis Hospital. On Thursday, the 20th, he died from pneumonia; he was 45 years old. He is buried here alongside his family.