08/14/2026
Spade’s own experiences around death had betrayed the inadequacy of traditional funerary practices. When her grandmothers passed she felt “a void of meaning.” Both were cremated and her family held memorial services, but there were no rituals that measured up to the moment. The deaths of her brother-in-law and mother-in-law, both of which were accompanied by home funerals, revealed to her the power of spending time with a person’s body and responding naturally to their passing.
In the background of Spade’s quest for funerary alternatives, the climate crisis was careering ever forward. In this new light, the carbon emissions of so many cremations and the ecological consequences of formaldehyde-based embalming fluids looked all the more unseemly. When friend and fellow Ford Kate Stephenson ‘00 called to ask if she’d heard about livestock composting, everything clicked into place. “If you can compost a whole cow, you can certainly compost a human,” she says.
In her 2013 master’s thesis, “Of Dirt and Decomposition: Proposing a Place for the Urban Dead,” Spade described a vision for death that contained ceremony and resolution, threshold and metamorphosis. “A deep connection to the cycles of nature is critical in order for the dead to rest peacefully, and for the living to properly grieve,” she wrote.
When Spade embarked on her journey, she thought the climate crisis would be the main motivator for people to choose composting over the alternatives. But there’s more to it than our carbon footprint, she now realizes. Instead, people are often called by the thought of returning to nature and fueling new life. And having a meaningful alternative inspires profound discussions not just about death and how it’s marked, but also about life itself.
Read the full article at the link in bio.
Thank you to Haverford College for the excellent profile on Recompose founder and CEO Katrina Spade
🌱Written by Ben Seal
🌱Photos of Katrina by Theodora Teodosiadis | Food & Product Photographer
🌱Featuring Tanya Marsh and Alan Maskin of Olson Kundig